Doctor Rafidjian turns to Dora Lobo's investigation agency to locate prostitute Ana Cintia. The case is in charge of Bellini and Beatriz, his new assistant. But the doctor is brutally murdered and the detectives infiltrate the night underworld of São Paulo in search of an answer, where they meet Fatima, a mysterious prostitute who gets involved with Bellini.

Tells the story of detective Remo Bellini, who gets pulled into a web of death and mysteries that take him to a world of illusions where everything is a self-created fantasy. He's taken by this evil inside that makes him lose a sense of reality with visions, anguish and loneliness - everything takes him down a path of no return. He can't understand what's happening, but the deaths surrounding him are getting closer and closer. It's a race against time before it's too late.

Having learned that the empty monastery is facing a thorough reconstruction, the architect decides to capture it alone and prepare design documentation for the restoration of this monument of history and culture. But the monastery turns out to be far from empty. Besides him, a strange old woman also lives in the house.

Dummie realizes that he is not as famous as his father, an ancient pharaoh, so he decides to rely more on himself and enters a special contest with the help of his best friend.

For over 4000 years, the Sphinx has puzzled all who have laid eyes on it. What is this crouching lion, human-headed creature? Who built it and why? To unlock its secrets, two teams of scientists and sculptors immerse themselves in the world of ancient Egypt — a land of pharaohs and pyramids, animal gods and mummies, sun worship and human sacrifice.

Vincenzo Bellini wrote two tragic operas for Teatro La Fenice: I Capuleti e i Montecchi and Beatrice di Tenda. The first, composed in 1830 and to the story of Romeo and Juliet but not based on Shakespeare but rather on an early nineteenth-century tragedy by Luigi Scevola in a new production by Arnaud Bernard (direction), Alessandro Camera (sets) and Maria Carla Ricotti (costumes), co-produced with Fondazione Arena di Verona (where it was presented at the Teatro Filarmonico in November 2013) and with the Greek National Opera of Athens. The cast includes Jessica Pratt and Mihaela Marcu as Giulietta; Sonia Ganassi and Paola Gardina as Romeo; Shalva Mukeria and Francesco Marsiglia as Tebaldo; Rubén Amoretti as Capellio; and Luca Dall’Amico as Lorenzo, conducted by Omer Meir Wellber.

Hosted by Charlton Heston, it explores the possibility that the Sphinx maybe older than expected. John Anthony West examines that water erosion on the Sphinx can pre-date it to 10,000 years old?. Other mysteries such as how they moved 200 ton stone blocks to build the pyramids, the secret chambers under the Sphinx and the links to the pyramids that are suggested on Mars.

This new production of Norma, directed by Grammy Award-nominated opera, theatre and film director Kevin Newbury (winner of the Irish Times Theatre Award 2010) and starring Sondra Radvanovsky as a "powerful, elegant" Norma (New York Times) and Gregory Kunde as Pollione, is "something very special. The word 'historic' is used perhaps a little too often but tonight there really is no other adjective to describe the sensational performances offered to us by Sondra Radvanovsky and Gregory Kunde."

The priestess Norma loves Pollione, leader of the occupying force suppressing her people, and has borne two children by him. But Pollione’s love has withered, and he now loves Norma’s fellow priestess Adalgisa. Meanwhile, the people urgently look to Norma to lead their rebellion. Norma discovers the love between Pollione and Adalgisa. Furiously she gives the signal for war. Pollione is captured, attempting to steal away with Adalgisa. Norma, called upon to announce a sacrificial victim to consecrate the uprising, declares it shall be a guilty priestess: herself.

The context is England's Civil War between the Roundheads (the Parliamentarians, or Puritans of the title) and the Cavaliers (Royalists). A love triangle between Arturo (a Puritan), Riccardo (a Royalist) and the beautiful Elvira results in a drama of escapes, disguises and captures, during which Elvira loses her reason, before a final pardon restores her senses and unites her with her beloved Arturo. The lead tenor role is notoriously difficult and Juan Diego Flórez shows no strain or difficulty throughout the role. Opera fans will undoubtedly be impressed with the overall production and the tenor's performance in particular.